![]() ![]() ![]() ![]() Retelling the hero’s origin story, Nolan describes Batman’s starting point with sobering consequence, relying on symbolism to infer the character’s grand theatrical transformation within the narrative. Nolan, drawing heavily from continuities shaped by Frank Miller and Bruce Timm, erases decades of mediocre superhero moviemaking and elevates Batman to a potent source for dramatic, symbolic storytelling. Batman Begins reinvents the iconographic comic book character in near-operatic terms, finally actualizing the depth and emotional potential that remained untapped through so many adaptations. And indeed, the conceptualization of Batman since the character’s inception has undergone innumerable adjustments and renovations over his nearly seventy years in comic books, television, and film-from vigilante to detective, from campy hero to public enemy, from Caped Crusader to The Dark Knight. Goyer and director Christopher Nolan, Batman Begins transforms the superhero genre and transcends its limitations with a film that is a moving, emotionally involving, and exciting experience. I can be everlasting.” Herein is the central theme of Batman Begins, a film not about a superhero, but about a man who uses his considerable means to transform himself into a symbol. But as a symbol… As a symbol, I can be incorruptible. On his private jet back, he lays out the foundations of a plan to his family’s loyal servant Alfred about how he intends to use his money and newfound abilities to fight injustice: “I’m going to show the people of Gotham their city doesn’t belong to the criminals and the corrupt… People need dramatic examples to shake them out of apathy and I can’t do that as Bruce Wayne. After training in the arts of deception, theatricality, and mass engagement in the Himalayas with clandestine ninjutsu vigilante group The League of Shadows, young Gotham City billionaire Bruce Wayne returns home after a long absence. ![]()
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